The Only Lens I Need
Pack Light, Find Flow
My life philosophy: Pack as little as possible.
Find one tool that can do almost everything, and then lose yourself in the process of exploring and creating.
When it comes to photography, I pack:
One camera
One lens
No tripod (I live with regrets)
When it comes to lenses, my Fujinon 35mm is a workhorse.
It’s a prime lens, so there are no focal length decisions while taking pictures.
For me, a 70-200mm lens means 130 focal lengths to choose between (multiplied by every photo I take). That’s a recipe for decision fatigue, which is a creativity killer.
Its f2.0 aperture makes it ideal in low light, which I often find myself in.
As an essentialist, I love this lens because it is small, light, and easy to carry.
With a weather-sealed Fuji camera and this 35mm lens, I can take long hikes in light rain or sandstorms and stick it under my jacket for protection.
But isn’t the 35mm focal length too limiting?
Every lens has limits.
Sometimes those limits reduce decision fatigue and act as a helpful creative constraint.
I’ve used my 35mm Fujinon for:
Headshots and environmental portraits
Small groups and families
Posed and candid moments
Nature and wildlife
Close-ups (but not macro), food
Landscapes, seascapes, and occasional cityscapes







One moment this lens is used for semi-professional headshots; the next, it's capturing a spontaneous laugh around the glow of a campfire.
For my purposes, it’s wide enough to capture a landscape but not too wide for portraits (nearly perfect for environmental portraits).
Granted, it doesn't have the telephoto reach that sometimes comes in handy. But you’re forced to get closer to a scene, and that's usually a good thing.
In a job interview, this lens wins every time.
It's a committed generalist and an adventurist, delivering 80% of the results of a whole bag of lenses.
Intention
I pack light to eliminate decision fatigue, introduce creative restraints, and find flow in the creative process.






Pack Light, Find Flow
What’s your recipe for creativity?
Mat






I totally agree and do the same. I also go out there with one camera and one 35mm lense.
Back in the 90's I was impressed by cinema director Lars Von Trier (and others) strict rules to shoot a movie. It was called Dogma 95 (I encourage you to search for it) and film makers had to follow specific rules when shooting a movie. I have my own photography Dogma since then for street photography: one camera, one lense, 35mm always, never stage the photo, never ask for permission, never external elements (tripod, flash, filters), low ISO always, etc...
This way, I not only allow creativity to flow in but I also focus more on what I see through the lens. My brain is more focused on the moment I want to grab.
Is 35mm really a 50mm since it's Fuji